In its quest to erase white people from existence, the army of woke has subverted the very fabric of our society by destroying cultural and historical landmarks. The unmitigated appropriation of the White-European ethos has infected every facet of pop culture. The cinema has proved to be an effective catalyst for this cultural subversion.

Disney’s latest affront to reality is its latest revamp of a wholesome and timeless tale, Snow White and the Seven Dwarves. A 1937 Disney adaptation of an 1857 German fairy tale by the Bros Grimm which was centered around a fair maiden who’s as white and pure as driven snow.

In the very beginning of the story the antagonist, the Evil Queen, says, “How I wish that I had a daughter that had skin as white as snow, lips as red as blood, and hair as black as ebony." This made sense, since Germany at that time had yet to be overrun by nonwhite migrants, and “fair” or “white” skin was a standard of beauty as it was in other white civilizations.

https://youtu.be/Br0DCEEBplY

In the original Snow White, she was aided by a band of dwarves who were besieged with charming quirks or idiosyncrasies and all of whom were male. The dwarves find Snow White asleep in their cozy abode after she’d grown tired of imbibing food and drink. Snow White is shaken from her slumber and immediately gives them the 411 on her sinister step-mom.

She tells them that the Evil Queen, her sinister stepmom, is jealous of her beauty and has hired some stud of the forest to take her out. The forest assassin is captured by Snow White’s pure-as-snow beauty and flips on the Queen, essentially tipping her off.

So the Dwarves suggest she be a house maid, doing womanly work in exchange for safe quarters. Needless to say, the Queen finds out Snow White was never “dealt with” and she’s ripped. the only way she’ll be the hottest chick in the land is if she snuffs out Snow White herself.

She roofies her unsuspecting step- daughter and renders her into a deep sleep, but everyone believes she’s actually dead. So the Dwarves take the next logical step and encase Snow White in a glass casket.  A year or so goes by and a charming young prince, who’s also blown away by Snow White’s fair skin and beauty, kisses her thus breaking the spell.

Initially, this sparked some criticism from the film industry but ended up a critical and commercial success, it even briefly held the record of the highest-grossing sound film at the time.

In 1989 The Library of Congress deemed the film "culturally, historically, or aesthetically significant" and selected it as one of the first 25 films for preservation in the National Film Registry.

You’d think that Disney would have learned something from its other woke disasters and white appropriation films, but no. They are remaking a timeless classic and staple of masculine culture.

The New Snow White

There is a twisted perversion of the classical film and it begins with hiring a “Latin a” or Latinx as Snow White. This is like revamping another timeless classic like Rocky and casting the main character, Rocky, as an obese but proud black girl. This is more unmitigated theft of White culture.

Then there’s the matter of the seven dwarves, there are none. Disney felt like the mere implication of “seven dwarves” was culturally abhorrent and decided to replace them with a rag-tag group of multi-cultural, full-sized people, less one midget.

https://youtu.be/9ttfvy3uv4w

So, because this punk feels this is “fucking backward” then they scrap the dwarves, and screw the little people who’d have benefited from the roles, Peter Dinklage is rich what does he care.

https://www.youtube.com/watch?v=WURPLvuJ-5I&pp=ygUfc25vdyB3aGl0...

Arguing that they should cast someone who looks like Snow White as Snow White, isn’t equal to the suppression of nonwhites. You wouldn’t cast an obese white guy as Fat Albert.